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똑똑(talktalk) 커뮤니티 와 아트
admin - 2015.08.05
조회 3176
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서문
004 지식공유를 위한 플랫폼은 무엇으로 가능한가? ·········· 백기영 (경기문화재단 문예지원팀 수석 학예사)
가족과 커뮤니티
014 예술적 유전자와 가업· ···································································· 이나연
020 가족과의 소통: 큐레이터 이성휘 인터뷰····················································· 최정윤
026 가족, 이웃 그리고 공동체: 작가 임흥순 인터뷰··············································· 김미정
031 여성 혐오를 혐오한다 ···································································· 박희정
034 Ressentiment-Hyo: 딸이자 아내이자 엄마였던 예술가가 사는 법····························· 윤율리
040 새로운 가족?: 아직은 샴페인의 뚜껑을 닫아두어야 할 때······································ 김시습
협업과 커뮤니티
046 경험의 확장, 경계없는 장르: 장민승+정재일 인터뷰··········································· 장승연
052 영원한 일시적 합의를 향하여: ETC(이샘, 전보경, 진나래) 인터뷰······························· 박희정
057 협업을 대하는 미술관의 자세······························································· 송윤지
062 그림과 돈에 대한 다소 이상적인 제안······················································· 이나연
068 선택과 집중의 공백: 삼성미술관 플라토 <스펙트럼 스펙트럼>전 · ······························ 김미정
072 민간거버넌스와 마을 공동체 ······························································· 이 헌
076 급진적 지속을 모색하는 다원예술축제: 페스티벌 봄 디렉터 이승효 인터뷰 ······················ 윤율리
082 대안은 없다. 자기조직화가 미래다. ························································· 전효경
085 협업!? 부유(浮游)하는 언어에 대한 고찰: 독립문화기획자 류성효 인터뷰 ··········· 無籍큐레이터 Qrator
091 지속 가능한 생태를 위한 원동력, 협업 : THE SHOWROOM 디렉터 Emily Pethick 인터뷰 ······ 박가희
099 우리의 연대에 공명하라: “AAA_Asia Anarchy Alliance” ···································· 흑표범
흑표범 + AAA_Asia Anarchy Alliance 기획자 Wu Dar-Kuen 인터뷰
107 객관적 시선으로 관계를 사유하다: 작가 김소철 인터뷰········································ 이지민
경제와 커뮤니티
114 어떻게 건물주는 예술가와 사랑에 빠졌을까? ················································ 이나연
120 [서평] 무형경제 Intangible Economies ···················································· 윤형민
123 두리반으로, 총파업으로, 미생으로 모인 예술가들 ············································ 김수영
128 예술가들이 실천하는 같이의 가치 ·························································· 이슬비
132 개인들의 사회적 공간으로서의 집 ·························································· 김하나
136 홍콩 지역 미술현장의 자생적 움직임 ······················································· 이성희
142 기본소득은 어떻게 예술이 되는가 ·························································· 황규관
교육과 커뮤니티
148 이치로, 고구마, 예술 그리고 교육 ·························································· 이정헌
152 전시 그리고 ‘커뮤니티’ ··································································· 전효경
155 총체적 전망을 향한 교육이라는 희망 ······················································· 신양희
160 미술대학 교육? 과정, 대화, 다양성을 존중할 때 ·············································· 장승연
165 큐레이터: 양성하거나 육성하거나 교육하거나 ··············································· 장혜진
173 가르침 없이 배우는 것은 가능한가 ························································· 류혜민
177 문화생산자로 성장하기: 홈 워크스페이스 프로그램 ··········································· 김진주
교육과 커뮤니티
148 이치로, 고구마, 예술 그리고 교육 ·························································· 이정헌
152 전시 그리고 ‘커뮤니티’ ··································································· 전효경
155 총체적 전망을 향한 교육이라는 희망 ······················································· 신양희
160 미술대학 교육? 과정, 대화, 다양성을 존중할 때 ·············································· 장승연
165 큐레이터: 양성하거나 육성하거나 교육하거나 ··············································· 장혜진
173 가르침 없이 배우는 것은 가능한가 ························································· 류혜민
177 문화생산자로 성장하기: 홈 워크스페이스 프로그램 ··········································· 김진주
예술과 노동······································································· 신현진
184 사례비만 받을까 인건비도 받을까 그것이 문제로다
193 계약서를 쓰고 일하시나요?
205 예술가라는 직업: 샤먼, 천재, 전문가, 노동자
216 대중미술계 – 제1회, <아티스트 스타> 제작발표회
부정성과 예술··································································· 이병희
230 싱가포르, 자카르타, 족자카르타, 쿠알라룸푸르에서의 부적절한 몇몇 만남
239 ‘먹기’와 예술행위의 부적절한 만남 part. 1,2
262 휴먼_비휴먼 거래
비디오게임과 아트커뮤니티··········································· 김영주
274 미술관의 비디오게임 (독일)
279 경계에 선 게임들과 새로운 커뮤니티
283 게임과 사회 시스템
리뷰
290 워킹메모리, 도시를 산책하며 연남/연희동을 듣다 ············································ 김미정
296 제2회 예술로 가로지르기 섬머 아카데미 · ··················································· 박초희
300 아시아를 맵핑하다 · ······································································ 이지민
303 파리 국제 아트 페어 피악 ································································· 오사라
313 요코하마 트리엔날레 2014 ······························································· 남선우
321 황학동, 끝나지 않은 이야기 ······························································· 윤민화
327 괴산의 아주 매운 페스티벌: 괴산페스티벌 기획자 사이 인터뷰 ··························· 無籍큐레이터
332 영토와 신체로부터 재생산되는 우생학적 정치 일지 ··········································· 임국화
338 최소 형태의 삶 ·········································································· 윤형민
서평····················································································· 오경미
344 하드코어 로맨스로 살펴본 현대인의 사랑과 불안: 에바 일루즈의 『사랑은 왜 불안한가』
348 우리는 또 다른 논의를 받아들일 준비가 되었는가?: 박유하의 『제국의 위안부』
번역
354 대안공간의 대안적인 선택 ·······························································윤형민 역
361 <내가 지난 여름에 한 것> 마시밀리아노 지오니 ············································이지민 역
필자목록
370 필자목록
공공누리 제4유형:출처표시+상업적이용금지+변경금지
경기문화재단이 보유한 본 저작물은 “공공누리 제4유형 : 출처표시+상업적이용금지+변경금지” 조건에 따라 이용할 수 있습니다. 단, 작품 사진의 경우 작품저작권자의 권리에 의해 보호를 받기 때문에 사용에 제한이 있을 수 있으니 문의 후 이용 바랍니다.
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